Seoul's enthusiasm for onchain culture financing is growing for good reason. Projects like Camp are reshaping how creative industries access capital—this goes beyond simple tokenization.

Consider the mechanics: a Bollywood production becomes the first major film financed entirely through onchain yield strategies via RWA (Real World Assets). Contributors earn 40% APY while receiving film credits, fundamentally changing how returns flow back to the creative community.

This model taps into a $3.5T market gap. Traditional film financing locks everyday investors out. RWA-backed structures democratize participation, letting anyone stake in culture's future. Contributors gain both financial yield and cultural ownership—no intermediaries.

The infrastructure shift matters more than hype. When studios can directly mint yield-bearing assets against production budgets, capital efficiency skyrockets. Geographic barriers dissolve. A film crew in Mumbai connects instantly with yield-seeking capital from Seoul to Singapore.

This isn't just fintech theater. It's rewiring how culture gets funded, distributed, and appreciated across borders.